News & Articles

Samuel R. Soerojo (AZ) has positioned Merah Gallery as a space defined less by market velocity than by the slow accumulation of relationships, context, and curatorial conviction.

What gradually emerged across his early years of practice was a technical and conceptual approach unlike that of any contemporary sculptor in Indonesia or the wider region.

In a contemporary art landscape increasingly defined by digital experimentation and conceptual abstraction, the practice of Redy Rahadian occupies a quieter and more elemental territory.

Patung Redy Rahadian (34) menggelar pameran tunggal bertajuk Interarction di Edwin’s Gallery, Kemang, Jakarta Selatan.

For some people, life is smooth and easy, or so it seems; for others, it is a constant struggle. Redy Rahadian's steel sculptures in Interarction, his second solo exhibition currently on display at Edwin's Gallery in South Jakarta, are about such struggles.

Bagi sebagian besar seniman, besi mungkin bukanlah media yang akrab jika diaplikasikan menjadi sebuah patung. Tapi di tangan Redy Rahadian.

Redy Rahadian obtains his inspirations from anywhere or anything. “Everything can somehow inspire me. But most of the time, it comes from my own emotions.”